Write About It? I Wish.

From the NYPL Public Domain Collection

Six months ago, back when quarantine was new and more frightening than annoying, I was advocating writing through the boredom like that would be easy.  But what I failed to think about—or even take into account at all—was that, far from having so much to write about that I’d be crazy prolific, churning out poems like a bakery turns out baguettes, I might actually find myself frozen, unable to write anything at all.  And yet, that is precisely what happened.  I’ve written maybe 5 poems altogether.  In six months.  Five poems is usually what I do in a single month.

Now, Writer Twitter is where I get a lot of my anecdotal evidence about writers, but it seems that I am not alone in my frozen state.  Many other writers have struggled to get words on a page, and I find myself taking comfort in that somewhat—like, at least I’m not the only one.  But I feel really quite miserable about it because I always believed that IF I had “unlimited” free time, I would have so much more to show for it.  Granted, I have been working, but I save a couple of hours not having to commute every day (or even getting dressed—heh), and that time adds up.  But when you can’t write, all that ends up as is two more interminable hours, making the days seem even longer, endless.

Of course, there are the nauseating writers who obnoxiously crow about how much they are accomplishing with this time—how they are writing more, submitting more, and publishing more.  Well, excuse me for being a jealous hag, but bully for them.  Take your accomplishments and stick them where the sun don’t shine.  Yes, I know, that’s mean.  I should be happy for them that they are feeling successful.  But mostly it just makes me sorrier for myself.  Why couldn’t that be my experience?

If I’m honest, part of my inability to write is lack of outside stimulation.  When you don’t go outside except once a week to the grocery, your life becomes insular and small.  I get pretty tired of my own company.  (Which, if you think about it, would be a GREAT reason to write fiction—you could make up a wonderful, interesting world and live there vicariously.) (But that would require my imagination to work, and sadly, it’s in the shop and looking like it’s D.O.A.)

The other, more compelling reason, is a depression that has just gotten out of control.  I don’t talk about it too much, because after all, what have I got to be depressed about?  I have a job, a wonderful home, and a loving family.  But when I don’t have my writing, I feel like an utter failure. I miss language.  I miss falling into a poem and feeling that transformation that poetry brings me.  My therapist, who is neither a reader nor a writer, doesn’t really understand this situation and tells me, not wrongly, that writers write, so get off my tuffet and write something.  Which is not especially helpful.

The problem with this depression is that in many ways, it’s quite compartmentalized.  Yay for high functioning! I am taking care of financial business, exercising, cleaning the house periodically, doing my job, teaching my class.  But it’s just so damn hard.  It’s exhausting.  Sometimes, the thought of getting out of bed defeats me.  Of course, I get up, because my cats would slay me if I didn’t feed them.  I don’t stop taking care of them just because I feel miserable.  Which is as it should be. But being compartmentalized like that means that there’s just not much left over to be me.  To be JC the Writer.  Like I can only manage so much, and that’s it.  Anything else doesn’t fit in the compartment.  It takes its toll.

Sometimes, though, I wish I could just fall apart.  Throw my hands in the air and just give up.  Stay in bed all day and cry.  Just be one fucked up mess.  Then, no one would expect anything from me.  And then I could feel justified in my not writing.  Well, I mean, how could I possibly write when I’m a total basket case?  Nobody expects anything from people like that.  Oh, so you’ve only written 5 poems in six months?  Well, you poor dear, of course not, not when you feel absolutely on death’s door.

But being responsible has always been a strength as well as a weakness.  And so I struggle valiantly, doing what I can when nearly every day feels like agony.  And maybe only once in a while admitting to my close friends that I’m not doing too well.  But after all, no one really wants to hear about my depression—can you blame them?—so I mostly just suffer in silence.

And instead of being genuine and honest about it, I make things worse by hiding it—proving to myself (at least) that I am responsible and taking care of things and don’t need to rely on others, who, after all, have their own problems and are struggling in unique ways as the pandemic wears on.

All of this is to say that I know I’m in a really bad place when I can’t write.  (And don’t think it hasn’t occurred to me how much of a fraud I feel, telling my students they need to write constantly, and then not following my own directive.)  I want desperately to write something—even this blog post is a big deal, and let’s be honest, it’s really just a navel-gazing poor-me—but every time I sit at the computer (or face a page of paper), it’s just blank, blank, blank.  Nothing comes to me.  At all.  And all the tricks I teach my students to do to fight off writer’s block seem to fail me.  It’s intolerable.

I really don’t know what to do.  If any of my five dedicated readers have any suggestions, I’d be happy to hear them.

Stay safe and Covid-free, y’all.  And keep me in your prayers, if you pray.  I need all the help I can get.

Well, But One Acceptance Is Better than None at All, Right? So Quitcherbitchin.

I recently had the experience where I received an acceptance for two pieces of flash creative non-fiction.  To say I was delighted would be an understatement, particularly because the journal was one in which I’ve discovered many pieces that have moved me in one way or the other since I began reading it.  And I thought, hooray!  My writing will be archived among these paragons of the short form!  I was feeling pretty pleased with myself.

Then the other day, the journal contacted me about the galleys, asking me to look over the work and see if anything were amiss.  But they only sent me the link to one of the pieces they accepted.  So I inquired—what happened to the second piece?  Shouldn’t they have sent me the galley to it?

The CNF editor apologized, but said that clearly Submittable had made an error, and really, they only meant to take Piece A, not Piece A and Piece B.  They hoped I was ok with this, and they hoped Piece A was still available.

I’m not sure if the editor thought I might hold Piece A hostage—like, “You said you were going to publish both, and if you can’t publish both, you can’t publish either, nyah, nyah, nyah.”  I’m not so stupid that I would do that—an acceptance is an acceptance.  But it made me wonder if she had had that experience before, where she or one of the other editors had a Submittable “glitch” which accepted multiple pieces from an author only to have to break it to the author that there must have been some error with Submittable that day, and they only desired to publish one piece.  I could understand an author choosing to say, “To hell with that journal!  If they can’t even be clear about the works they want to publish, maybe I don’t want my work published there.”

I understand about computer errors, and software glitches, and even human mistakes—I get that.  Computers are machinery and bound to fail at some point, and editors have a lot on their plates and don’t always catch things.  But it’s hard, when you’re hungry to start racking up pubs in a different genre than you’re used to publishing in, to have an acceptance snatched away from you like that.  Part of me wishes that they would just have agreed to publish both works, since that’s what they said—and since I withdrew Piece B from all the journals I had sent it to, like a good little simultaneous submitter should do.  But then another part of me thinks I’d rather the work they didn’t want find a home in a journal that loves it for what it is—and not feel constrained to publish it under duress.

I’m trying really hard to see the multiple perspectives here.  I am grateful, of course, that they wanted to take any of my work at all.  That should be enough right?  Mistakes happen, blah blah—at least they wanted one piece—they could have told me the entire acceptance was a mistake.  But I’m stubborn and don’t want to be reasonable about this situation—particularly in light of some other recent (huge) writing rejections that have really demoralized me.  A little part of me feels like this “accidental” acceptance scenario is just too much to take.

I know, I know, this is the publishing biz.  I’m just having a little difficulty being rational while I wallow in my self-pity.