Amo e Canto is Out in the World!

Nearly two years after the announcement that it had won the 2020 Sow’s Ear Poetry Chapbook Prize, my collection Amo e Canto (Italian for I Love and I Sing) has been released.  Because it came out as Issue 30.1 of the Sow’s Ear Poetry Review (and was sent to all subscribers of the Review), it’s not conventionally available for purchase.  However, I am selling extra copies, postage paid, for $13.50 via my CashApp, $Aishatonu.  Hit me up if you would like to buy a copy.  (Put your address in the “For” line so I’ll know where to send your book!)

Amo e Canto is a collection of “poemoirs”—half poems, half memoirs about a trip I took to Venice in 2014. The poemoirs focus on typical Venetian sights, like churches, canals, pigeons, and art, and tangentially examine a relationship with a missing love.  It’s a really different kind of writing from what I normally do (which tends to be mostly narrative, women-centered writing), so if you’re interested in Italy and hybrid forms (or you just love me), this collection is for you.

I’m really proud of this work, and it’s a beautiful collection.  The cover includes an absolutely lovely painting by Alex Ghizea-Ciobanu called I Will Take Venice with Me that as soon as I saw it, I wanted it for the cover.  (Actually, I’d love to own the actual painting!)  The ecru paper is smooth and silky and not insubstantial.

It may have taken longer than I hoped for Amo e Canto to manifest, but it’s wonderful that it exists now. (Patience is a virtue, and all of that.)  I’m so grateful to Sarah Kohrs and Kristen Zimet at Sow’s Ear Poetry Review for all they’ve done to bring this collection into being, and I’m grateful to Sam Rasnake for choosing it as the winner.  I’m also thankful to the journals who originally published some of these poems, especially Rowan Glassworks, which nominated five of them for Pushcart Prize in 2015.

I have many to sell and would love to get one into your hands!

OMG!!! Finishing Line Is Taking La Petite Mort!

Alright, I’ve been hella down in the dumps lately, like, nauseatingly so.

So, imagine how awesome it was to get an e-mail from Finishing Line Press today telling me that they’ll publish my chapbook La Petite Mort!!!! This is completely out-of-the blue too, because I had entered it in their New Women’s Voices contest, got the standard “Thanks, we’re going to publish this amazing writer, and you’re not her” note, and didn’t give it another thought.  I guess they also choose to publish a select number of non-winners.

But I am dizzily happy, crazy amazed, and thrilled!  Tomorrow I will worry about withdrawing it from the other contests I have it in.  But tonight I’m going to bask in the knowledge that I finally have a real, live book to my name.

Art, Poems, and Art-Poems

On Saturdays, I really need to get out of the house for a few hours, otherwise I begin to root to the couch, and get all depressive.  So today my husband Chris and I went to lunch at Desi Spice, one of our favorite haunts, and then we went to a shopping center in Buckhead that has a Kroger Fresh Fare, which is like the Whole Foods of Krogerdom (although we spit on WF’s anti-union, anti-worker policies).  A World Market and a Binder’s art supplies store are there as well.

We looked at art supplies first and were blown away.  The whole store is underground (basically, under a good chunk of the shopping center) and Chris and I went hogwild.  I’ve been wanting to paint some kind of blue-heavy painting or beach scene for the guest bedroom (which is the only place in this house that isn’t decorated in red), so I needed some supplies anyway.

And since about 85% of my worldly possessions, including all my art supplies, are still in a storage unit in Lincoln, Nebraska, I “had” to buy new.  I bought acrylics and canvasses; Chris bought some lovely colored pencils.  (We went to Michael’s to buy brushes because I knew there would be some inexpensive ones there–as much as I love sable brushes, I just couldn’t justify dropping $150 in brushes alone, although I did see some real beauties at Binder’s.)

Tomorrow I will do some painting, maybe some studies for the large canvas I bought.  As soon as we got home, I had visions of mixing paints and “getting all creative,” but alas, my duty was to poetry.

Which is ok, because I did get some work accomplished.  Day 17 is written, and considering it’s only 5 days past due and I should be deeply ashamed of my tardiness, I’m rather impressed with it.  The postcard is of Bertel Thorvaldsen’s statue Il Pastorello (why is the title of a Danish picture in Italian?), which is known everywhere else except on the back of the postcard as Shepherd with a Dog (1817).  So I entitled it “Pastoral” (that was a stretch, huh?) and it’s basically about the boy waiting on the tree stump to be relieved of his shepherding duties for the night.  It’s not great art, but I like it–maybe because of its simplicity.

My Day 18 poem, only three-quarters written, is based on German photographer Herbert List’s 1937 work, Greece.  I’ve been putting off writing about it until today, even though I kept coming back to it.  I mean, it was interesting to me, as b&w photography always is, but I couldn’t find a “way in,” if you know what I mean.

 It’s just a bare-chested guy with some phallic columns behind him.  What kept drawing me to the photo, however, was how disproportionately large the man in the foreground appears, compared to the columns.  That was what intrigued me more than anything–that the perspective was weird.  Not that (as usual) I have any language to talk about art, but the picture is visually striking because the man is so large.  I think the reason the poem isn’t quite done is that I’m still not sure what I want to say about it–I’m coming up against that age-old test of whether or not a poem is worthwhle, the “so what” question.  It seems dumb to write a poem about a man being big.  Hopefully tomorrow I will be able to come up with a pithy-yet-deep couple of last lines that makes the poem work.

In other news, I received word from Slapering Hol Press that I was not their 2009 chapbook winner.  But hey, as a contestant, I can buy the winning chapbook for the incredibly reduced price of $2 off!   Whoopdee do.  Can they afford it?  I like the chapbook contests that actually give you a copy of the winner for free.  It’s a nice consolation prize.

Oh, well, off to bed.